Music-Snob

An offshoot of (mim-uh-zeen) and other loss leaders, with an emphasis on my music collection and other things music related.

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Location: Midwest, United States

I'm a pretty varied individual...

Sunday, August 07, 2011

Stirrings...

Who would've thought that converting so much stuff to digital would take so much time?


                                          The Avengers - Joel McNeely




                                          Empire Strikes Back Symphonic Suite
                                               Charles Gerhardt, cond.



                                                    The Fly 2 - Christopher Young

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Wednesday, August 11, 2010

An August Selection

Modern Vampires...
Slick crime drama...
Romance for aging liberals...
Well seasoned Western...
with a Spanish dish on the side...
add some classical historical drama...
and top it off with an obscure favorite.

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Wednesday, August 04, 2010

Beyond The Valley Of The Dolls - Stu Phillips








Strap it on...

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Monday, July 19, 2010

Mondo Morricone



The Big Gundown







Days of Heaven





Duck, You Sucker






Investigation of a Citizen Above Suspicion





The Mission




My Name Is Nobody





Once Upon A Time in The West






The Thing







Two Mules For Sister Sara

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Tuesday, March 30, 2010

Mancini Madness


Arabesque



Experiment in Terror



More Music from Peter Gunn



Gunn



The Pink Panther



Return of the Pink Panther



Touch of Evil/The Night Visitor


and also some non-Mancini fare:


Kings Row - Erich Wolfgang Korngold



The Madwoman of Chaillot - Michael Lewis

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Monday, February 08, 2010

February Soundtracks






Trevor Jones did music for 2 of Alan Parker's films in the 80's, the noirish ANGEL HEART and MISSISSIPPI BURNING. Both albums contain dialogue, and are pretty good audio representations of the films, instead of just presenting the music. Most score fanatics aren't too wild about these types of albums, but both of these are pretty well done.




BARON MUNCHAUSEN is one of the late Michael Kamen's best scores;




WITNESS was one of Maurice Jarre's first scores in his electronic period, starting in the 80's. It was pretty popular at the time, mainly for the track "Building The Barn";



and one more from Bernard Herrmann, this one being one of his concert works - the cantata MOBY DICK.

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Wednesday, January 06, 2010

Ring in 2010 with Herrmann and Horner

Happy 2010, everyone!

We finish up with the last of the Herrmann recordings - for now, anyway - and there's some early Horner to enjoy, too!




Music From Great Film Classics - has a few selections from the earlier London album DEVIL AND DANIEL WEBSTER/WELLES RAISES KANE, but the suites from JANE EYRE and KILIMANJARO make up for that.




North By Northwest - everyone seems to hate the Laurie Johnson recording, now that the original tracks and a re-recording by Joel McNeely are out there... still, I'm fond of it, and I'm certain others are, also.






Outer Space Suite & The Western Saga - the last of the CBS Library music that Herrmann recorded - fans of TWILIGHT ZONE, HAVE GUN, WILL TRAVEL, GUNSMOKE and other early CBS shows will recognize some of these cues.




Brainstorm - an early Horner score - one of his best - and yes, you'll recognize some bits here and there that you've heard before... but this was before it really got annoying.



Glory - another good Horner score; fans of Prokofiev, especially of his opera WAR AND PEACE will also find much to like here...




and a bonus - Music from THE AVENGERS, THE NEW AVENGERS and THE PROFESSIONALS, by Laurie Johnson. Not my rip, but the cover is from my copy...

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Friday, July 03, 2009

More Goldsmith and a Grofe

The versatility of Jerry Goldsmith is aptly illustrated by the following selections...



The Chairman




QB VII




The Swarm



The Secret of NIMH



and a nugget from the Golden Age of film scoring... Ferde Grofe is mainly known for his concert work GRAND CANYON SUITE, but he did dabble in film scoring, mostly for B pictures in the 50's. This is his best known score - also the debut release for the short lived Starlog Records label.



Rocketship X-M

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Tuesday, May 05, 2009

Batch 'O Goldsmith



The late maestro Goldsmith left an impressive body of work, that's still popular to exploit. We here at Music-Snob, are no exception. Here we present a variety of his scores from the early 60's to the 80's.



LILIES OF THE FIELD is one of Goldsmith's early features. The very simple folkish string/harmonica combinations is a style he used in music for some TWILIGHT ZONE episodes, and he would go back to this sound for scores such as THE FLIM-FLAM MAN, THE HOMECOMING (THE WALTONS pilot), and others. The vocalist is Jester Hairston, who was a supporting actor in the sitcom AMEN in the 80's, and who can be seen as one of the older people near the end of BEING JOHN MALKOVICH. What may not be widely known is that Mr. Hairston also worked for composer Dimitri Tiomkin as a vocal arranger.



ISLANDS IN THE STREAM is an adaptation of an unfinished Ernest Hemingway story, and another collaboration with director Franklin Schaffner. The film is not widely known, but Goldsmith has remarked that it is one of his favorite scores. This is a re-recording done for Intrada Records in the 80's.



MacARTHUR is a bio-pic of another WWII general - unlike the earlier PATTON, it hasn't become a classic, but the music, also by Goldsmith, is worthy of note.



LINK was a suspense/black-comedy about primal natures and killer apes - a difficult combination to pull off successfully. That the movie premiered to audience indifference is more indicative of the subject matter rather than the actual quality of the film. Goldsmith's score treads that line a bit more adroitly than the visuals.





LIONHEART is a little known and seen picture set during The Children's Crusade and it was Goldsmith's last major collaboration with Franklin Schaffner. On LP, the score took up two releases, Vol. 1 and Vol. 2 - there was a cd reissue that combined both, but it dropped a couple of tracks due to space limitations. If you haven't heard it, this is comparable to his score for LEGEND - but with a more Medieval sound.

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